1. Composition of cross strokes


It is composed of "one stroke, one stroke and one stroke", mainly crossing vertical and horizontal strokes.


Vertical curvature only intersects with one pen, not with any other pen.


One crosses with Meng


Points are only intersected with apostrophes, such as hasty meaning, not intersected with horizontal and vertical, but connected with each other (Bozhou).


Explanation: The relativity of crossing also has downward component (lower right) and downward component (lower left), so it is not crossing; there is no same component in right and lower left. Roll left down and right down


Two strokes: right, bottom (10); right, left, bottom (yes); left, right, bottom (Zhang);


Neither the lower right nor the lower right (Bo) nor the lower right (Bo).


CONCLUSION: Right lower brush strokes no longer cross with right or lower brush strokes.


Left bottom strokes no longer intersect with left bottom strokes or lower strokes.



2. The Law of Cross-correlation between Two-stroke Crossing and Multiple-stroke Crossing


The two strokes intersect: Shibi


The crossover of strokes is: Xu 20 30 (not yet with Yu Su), Feng Jing (the original Chinese character has no strokes on its head, and the additional strokes are only used for banding or related characters, which may not have been taken into account at that time, otherwise it is not necessary to create an additional strokes to achieve the same simplified effect by other methods).


A total of 15, 14 cross-related, 12 vertical-related, 5 apostrophe-related and 1 apostrophe-related.


Skipping is a single occurrence (exceptional in a hurry). It can occur in multiple strokes.


Up to four vertical strokes without four horizontal strokes


The most special is the word "hurry". Two peculiar phenomena (point skimming and crossing; two skimming and crossing) appear here at the same time, which seems to illustrate... Note: Textual research on the word "hurry".




3. Connect with other strokes


Tushigan's Ancient Southern Dance


Wood not yet


Right


Regularity: upper and lower can be connected with one pen (including one pen), upper can be connected with the other, and can not be connected with the left and right end of the pen which is vertically connected like ten;



4. Intersection with other strokes


5. The Combination Law of Straight Brush Cross and Straight Brush Cross


6. Deformation of the head, middle and tail


Shifengjing Muji


A. The head is the grass head, and the cross pen shape becomes "20" when it is connected with one another. That is to say, the sketch is separated from other strokes, such as "dishes". At the end of the tunnel, it appears and evolves into a lu, but the "Shifeng" does not change at the end, such as "Publishing cars to serve Yangfeng", while the "20" must change at the bottom, such as "making haste". If we grasp this rule, we can correctly write "magazine" and "punishment".


B. Connect to the box


When connected with the open frame, the vertical direction becomes oblique (but not abandoned) such as; when connected with the closed frame, the vertical direction becomes true (wife's entanglement) such as; but when connected with the closed frame, it remains the same as the ancient dynasty.


Shifengjing Muji


Gu you Xiang Mu


Big Husband Chun Zhengfen


Tu people


Mugwort ploughing and extracting, boiling cautiously and recommending stubble chair, breaking down hazelnut, mangrove, cinnamon, orange, Kam mulberry, rhombus, transverse, cyanine, old filial piety, Ben Xihui, planting and filling lemon cardia


Old works of the miserable


Festival Bang Yu Hao Handan


Analysis of Yizha


Chi You Quan Chuan Pile Top Mai Yin Top Mai


Apricot, apricot and apricot


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